For years, Houser's games had encouraged players to act out on-screen violence. Sex was the final frontier for video games, still a taboo subject for the medium even as it permeated Hollywood's output. Its aim was to address the darker side of modernity and all of the taboos that cinema had long explored as subject matter: organised crime, gun-running, carjacking, drug-dealing, hustling, trafficking and sex.Īll this had been achieved in the company's previous games, in particular its most recent offering, GTA: Vice City. But the company's ambitions were perhaps more straightforward than the public persona suggested. Rockstar's multi-million selling series had been billed as the enfant terrible of the video games industry by media puppet master Max Clifford. Coming off the back of the much-loved Vice City, San Andreas was much anticipated - and Rockstar was keen to push boundaries. The team was nearing the final phase of development on the company's forthcoming blockbuster release, a Grand Theft Auto game set in the fictional American state of San Andreas. In truth, the sort of sexual content Houser described was already in production at Rockstar North in Scotland. To this end, in addition to the violence and bad language, we want to include sexual content, which I understand is questionable to certain people, but pretty natural (more than violence), when you think about it and consider the fact that the game is intended for adults. He continued: In we are keen to include new functionality and interaction in line with the 'vibe' of the game. ∺ll of these items are displayed through cut-scenes and in-game.

Masturbation (one of the characters is compulsive this MUST be kept).

Dildo sex (including being able to kills someone with a dildo).

These are some examples of content that will be displayed graphically: At most other firms, its contents would have been considered 'NSFW'. On 14th July 2004 Sam Houser, the president and co-founder of Rockstar Games, wrote an email to Jennifer Kolbe, the company's operations director. We want to thank you for what you've done. Hello, Patrick? The accent on the end of the line was unmistakably New Yorker. Eyes still closed, Wildenborg lifted the receiver.

It was prompted not by an infant's wail but the hysteria of a telephone ringing in the night. With a one year-old baby in the house he was familiar with the fug of a deep sleep cut short by noise. Not for the first time that month, Patrick Wildenborg was disoriented.

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